“Who Owns this Song? Translating Musical Property in Nineteenth-Century London”. Presented at AMS/SMT Joint Annual Meeting, Minneapolis, 6-9 November, 2025.

​

“Who Owns a Song? Copyrighting Foreign Music in Nineteenth-Century Britain”. Presented at the North American Conference on Nineteenth-Century Music, Wayne State University, Detroit, June 25-27, 2025.

​

“Song Translation as Prosthesis: Singing Goethe in Nineteenth-Century Britain”. Presented at the Cascade Song Festival, Eugene OR, January 23-26, 2025.

​​​​

“Performing Blindness and the Anxiety of Visuality in the Career of Maria Theresia Paradis”. Presented at AMS-SMT Joint Annual Meeting, Denver, November 9-12, 2023.

​

“Musicality, Disability, and Gender in the Career of Maria Theresia von Paradis”. Presented at The Fourth International Conference on Women’s Work in Music, Bangor University, September 4-6, 2023. 

​

“Rapture, Desire, and Irony in Hoffmann’s Writing on Beethoven’s Instrumental Music”. Presented at the Ninth International New Beethoven Research Conference, New Orleans, November 9, 2022.  

​

“Singing the Metaphysics of Musical Transcendence”. Presented at the Spring Meeting of the Greater New York Chapter of AMS, May 7, 2022. 

​

“‘Know’st Thou the Land?’: Beethoven’s ‘Englished’ Lieder and the Borders of Song”. Presented at XVII. Internationaler Kongress der Gesellschaft für Musikforschung, Universität Bonn, September 28 – October 1, 2021.

​

“Beethoven’s ‘Englished’ Lieder and the Borders of Song”. Presented at 57th Royal Musical Association Annual Conference, Newcastle University, September 14-16, 2021.

​

“Laura betet: Mediating Sound in Settings of Matthisson’s ‘Die Betende’”. Presented virtually at AMS Annual Meeting, November 7-8 and 14-15, 2020. 

​

“Was weinst du, Blümlein? - Clara Schumann’s Sechs Lieder von Jucunde, op. 23, and Hearing the Language of Flowers.” Presented at Clara Schumann (née Wieck) and her World, International Bicentenary Conference, Lady Margaret Hall, University of Oxford, June 15–16, 2019